South Park could once end a teacher-student episode with the word “Nice.” The laugh only works if the audience already knows the old assumption. Most people under 25 have never lived inside that assumption. 
We live in the most sexualized environment in history and simultaneously treat a teenage boy’s desire as something that primarily needs protection rather than direction. 
Biology did not receive a software update in 2014. Culture did.
The “hot teacher” did not vanish. She became one of the largest categories in pornography while disappearing from acceptable comedy. 
Out later today, and as always, thanks so much for sticking with me. It is very much appreciated and I hope your week goes well.  

For years, Grand Theft Auto built its reputation by making fun of almost everyone. Politicians, corporations, celebrities, criminals, police officers and ordinary Americans could all become targets. But GTA VI is arriving at a time when audiences are increasingly sensitive to questions of representation and ideology. That creates a fascinating question: can Rockstar still make the same kind of satire it made twenty years ago?

Moreover,  Grand Theft Auto VI hasn't even arrived, yet it has already become the center of a surprisingly intense cultural argument. Before players have explored Leonida, completed missions or even met many of its characters, people are debating what the game supposedly represents. Is Rockstar simply continuing its tradition of social satire, or has GTA entered an entirely different cultural era?
Out now, and as always, thanks so much for sticking with me. It is very much appreciated and I hope your weekend goes well. 

Political YouTube can sometimes feel like an endless battlefield. One personality attacks the left, another attacks the right, audiences mobilize around their favorite creators, and every disagreement becomes another piece of content. But beneath that apparent chaos is a rapidly professionalizing industry.

Talent agencies, advertisers, sponsors, analytics, recommendation systems, and platform incentives all play a role in determining which personalities become enormous.
 Hasan Piker and Asmongold might seem like two people who could hardly be further apart. Their politics, audiences, personalities, and public personas appear radically different. But that contrast is exactly what makes the business infrastructure behind them so interesting.

Once you stop looking at the personalities themselves and start looking at the industry surrounding modern internet celebrities, a much larger story begins to emerge. 
Out now, and as always, thanks so much for sticking with me. It is very much appreciated and I hope your weekend goes well.